The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellStar Studies in TransitionBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
12016-05-03T14:29:18-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75432structured_gallery2016-05-07T17:27:36-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deLiz Greene is a lecturer in the School of Communications at Dublin City University. Her teaching, research interests and publications are primarily focused on film sound - theory, history and practice. She continues to work in film and television sound, and won an Irish Film and Television Award (IFTA) for Best Sound for the television series Pure Mule in 2006. She is on the editorial board of The Soundtrack Journal and the International Advisory Board of Alphaville. Her forthcoming co-edited book The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks will be published in October 2016. Her widely viewed videographic experiment Velvet Elephant was created at the Middlebury workshop.
12016-04-30T11:00:39-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deThe Elephant Man Voiceover Story2An exercise by Liz Greeneplain2016-05-09T16:41:12-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
12016-04-30T12:35:19-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deThe Elephant Man Multiscreen1An exercise by Liz Greeneplain2016-04-30T12:35:19-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
12016-05-07T17:25:59-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deDavid Lynch's Blue Velvet and The Elephant Man1No image or sound was altered within this AV essay. The opening sequences of both films were placed together in split-screen to investigate the asynchronous approaches taken in the soundtrack. What was discovered through this simple act of placing both films together was rather revealing. For study purposes only.plain2016-05-07T17:25:59-07:00Vimeo2015-06-25T14:46:29video131802926Liz GreeneDavid Lynchvideo essayopening sequencesBlue VelvetThe Elephant ManJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de