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The Videographic Essay: Practice and Pedagogy

Christian Keathley

Christian Keathley is Professor of Film & Media Culture at Middlebury College. He is the author of Cinephilia and History, or The Wind in the Trees (Indiana University Press, 2005), and numerous journal articles and book chapters. Keathley’s videographic production work has been screened at a variety of international locations, including the ‘Media in Transition’ conference at MIT (2009); as guest speaker at the University of London Screen Studies Group (2012); as keynote presenter at the University of Antwerp conference ‘Photogenie and Cinephilia’ (2012); as keynote presenter at the University of Pittsburgh conference ‘Cinephilia/ Cinephobia’ (2012); at the Deutschese Film-institut Filmmuseum conference ‘The Audiovisual Essay: Practice & Theory’ in Frankfurt (2013); and ‘Clues, Mysteries, Histories, and Mystories: Essay Filmmaking Approaches to Family History’, at Birkbeck Institute for the Moving Image. He is the author of numerous essays about videographic criticism, and is founding co-editor of [in]Transition: Journal of Videographic Film & Moving Image Studies.

Related Writings on Videographic Criticism:

Catherine Grant and Christian Keathley, “The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies,” Photogénie, June 19, 2014
Christian Keathley, “La Caméra-Stylo: Notes on Video Criticism and Cinephilia,” in The Language and Style of Film Criticism, ed. Alex Clayton and Andrew Klevan (London: Routledge, 2011), 176–91
Christian Keathley, “Teaching Videographic Film Studies,” The Cine-Files, no. 7 (Fall 2014)

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