The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
David Lynch's Blue Velvet and The Elephant Man
12016-05-07T17:25:59-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75431No image or sound was altered within this AV essay. The opening sequences of both films were placed together in split-screen to investigate the asynchronous approaches taken in the soundtrack. What was discovered through this simple act of placing both films together was rather revealing. For study purposes only.plain2016-05-07T17:25:59-07:00Vimeo2015-06-25T14:46:29video131802926Liz GreeneDavid Lynchvideo essayopening sequencesBlue VelvetThe Elephant ManJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de