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The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
Stepford Wives Videographic Epigraph
12016-04-30T13:56:55-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75431A Videographic Epigraph for The Stepford Wivesplain2016-04-30T13:56:55-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
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12016-04-30T14:08:31-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deGallery of All ExercisesJason Mittell8structured_gallery2019-06-11T21:05:38-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
12016-04-30T13:58:49-07:00The Stepford Wives Epigraph1An exercise by Allison de Frenplain2016-04-30T13:58:50-07:00A quote from Marshall McLuhan occasioned Allison de Fren’s reworking of a scene from The Stepford Wives in which one of the replacement robot wives suffers a technical glitch at a garden party. The use of stuttering image and sound evoke precisely the sense of human-as-machinery gone haywire that McLuhan finds so amusing.