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The Videographic Essay: Practice and Pedagogy Main Menu The Videographic Essay Table of Contents Introduction, Acknowledgements, and Further Reading Scholarship in Sound & Image: A Pedagogical Essay Pedagogical essay authored by Christian Keathley and Jason Mittell Dissolves of Passion In Dialogue: Eric Faden and Kevin B. Lee Becoming Videographic Critics: A Roundtable Conversation A conversation among practitioners curated by Jason Mittell But Is Any Of This Legal? Videographic Exercises Gallery of All Exercises Credits

Multiscreen PechaKuchas

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Gallery of All Exercises Jason Mittell
Contents of this tag:
1. Abstract Trailer for Brothers
2. Close Up
3. Epigraph Exercise: Trouble in Paradise
4. Abstract Trailer for Transparent
5. The Big Sleep PechaKucha
6. Husbands Storytelling Voiceover
7. Stepford Wives Videographic Epigraph
8. Belle de Jour Alternative Trailer
9. Adaptation Videographic Epigraph
10. Affair in Trinidad Voiceover Exercise
11. Abstract Trailer for Twin Peaks: The Return
12. The Magnificent Ambersons PechaKucha
13. La Ciénaga Alternative Trailer
14. Captain Blood Voiceover
15. Stepford Wives PechaKucha
16. Suspiria Alternative Trailer
17. Notorious alternative trailer An alternative trailer for Notorious, made as part of the NEH funded workshop 'Scholarship in Sound & Image' at Middlebury College, June 2015. Inspired by a particular shot which hints at a dimension of the film which could be elaborated if the narrative were oriented slightly differently, this essay seeks to amplify the idea that the spy story of Notorious is a means to articulate ideas around gender, jealousy and sexual insecurity.
18. Gravity Epigraph
19. Abstract Trailer for Deadwood
20. Vampire Diaries / Imitation of Life PechaKucha
21. Jauja Alternative Trailer
22. Encounters
23. Barry Lyndon Epigraph
24. Mahogany PechaKucha
25. Water Nymph Multiscreen
26. Blade Runner 2049 Multiscreen
27. Belle de Jour Storytelling Voiceover
28. Elephant Man Multiscreen
29. The Elephant Man Voiceover
30. M*A*S*H Multiscreen Exercise
31. Imitation of Life Storytelling Voiceover
32. Multiscreen PechaKuchas
33. Fantasia PechaKucha
34. Abstract Trailer for Steadicam videographic essay
Multiscreen Composition Jason Mittell
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Multiscreen PechaKuchas Shane Denson did something totally unexpected with the multiscreen format: rather than engage with one or two participants’ films, Shane used everyone’s (plus one extra, selected by Ethan Murphy), organising all the PechaKucha assignments into a sixteen-panel grid. Interestingly, we all assumed that he had manipulated the sound tracks, elevating some and lowering others at various moments throughout— but he hadn’t. The effect was certainly cacophonous, but managed to create an overall macro rhythm that spoke to the tendencies of the PechaKuchas as a whole, rather than the construction of any individual film. Given that Shane’s selected film, Frankenstein (James Whale, U.S.A., 1931), concerns the assembly of pieces into a new whole, the Franken-PechaKucha oddly evoked many of the themes he had been exploring in his film.