The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellStar Studies in TransitionBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
Blade Runner 2049 Multiscreen
12019-06-11T19:21:23-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75431A videographic exercise by Kathleen Loockplain2019-06-11T19:21:23-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deKathleen Loock paired scenes from Blade Runner 2049 (Denis Villeneuve, U.S.A., 2017) with a Rita Hayworth musical number from Affair in Trinidad (from Susan Harewood’s exercises) and clips from Maria Hofmann’s object, the documentary Whore’s Glory (Michael Glowogger, Germany/Austria, 2011).