The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellStar Studies in TransitionBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
The Big Sleep PechaKucha
12019-06-11T17:57:26-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75433An exercise by Nat Deyostructured_gallery2019-06-20T01:53:45-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deVideographic ExercisesNat Deyo's PechaKucha arranges repeated instances of Bogart walking through a door in The Big Sleep(Howard Hawks, U.S.A., 1946) juxtaposed against that film’s famous dialogue between Bogart and Bacall in which they discuss horses, the racetrack, and maybe something else.
12019-06-11T17:56:14-07:00The Big Sleep PechaKucha2A videographic PechaKucha of The Big Sleepplain2019-12-20T08:03:25-08:00Critical Commons2018VideoThe Big SleepNat Deyo2019-06-11T17:59:03Z