The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellStar Studies in TransitionBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
12016-05-03T14:28:30-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de754310structured_gallery2019-12-20T18:00:09-08:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grant is Professor of Digital Media and Screen Studies at Birkbeck, University of London. A prolific experimental video-essayist, she has authored and edited numerous studies of audio-visual forms of film and moving image research and scholarship, including screenstudies.video (2019), a monographic website collecting and reflecting on her own practice; and another website collection The Audiovisual Essay (2014-present). She is also creator of Film Studies for Free and a co-founding editor of [in]Transition: Journal of Videographic and Moving Image Studies.
12019-12-20T11:45:42-08:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deSkipping ROPE2'Skipping ROPE' is a videographic assemblage of all the edits in Alfred Hitchcock's 1948 ROPE, together with adjacent dialogue. By Catherine Grantplain2019-12-20T11:46:35-08:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
12016-05-08T09:43:32-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deDISSOLVES OF PASSION2The above video forms an integral part of Catherine Grant’s contribution to THE VIDEOGRAPHIC ESSAY, a now online and open access collection of work edited by Christian Keathley, Jason Mittell and Catherine Grant (2019). Focusing on a number of videographic explorations of matters of film editing (including her study of the dissolves and "Hollywood montages" in David Lean’s 1945 BRIEF ENCOUNTER, a film that is currently celebrating the 70th anniversary of its release), Grant explores what such practical and audiovisual modes of research and presentation—ones which themselves evidently turn on editing—can add to the study of a feature that (with a number of key exceptions) has not received much sustained attention to date in written film scholarship.plain2019-12-21T04:50:49-08:00Vimeo2015-11-08T16:26:06video145070069Catherine GrantDavid Leandissolvesfilm editingeditingvideo essayBRIEF ENCOUNTERJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de
12019-12-20T12:41:50-08:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deMechanised Flights: Memories of HEIDI1plain2019-12-20T12:41:51-08:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de